A short film by the famous Russian director, winner of the Kinotavr Boris Khlebnikov, specially shot for the charity auction Action! 2018.

Time has passed, but nothing has changed in the home of Prozorovs. Andrey takes care of his sisters as usually. With the help of a number of innovative technical devices he succeeds in maintaining their physical and psychic health. Everything is about to change when a mosquito appears in the November sky.

The newly elected secretary of the city Komsomol committee, Andrei Kolobov, introduces the slogan of spiritual mentorship and strives to implement it in practice. He helps a talented young man, Petya Gorokhov, find the right path in life, directly participating in atheist propaganda. In the work of the Komsomol committee, Kolobov promotes a creative approach to working with the youth. He wins the love and trust of the city's Komsomol members, and at the report conference, the youth elect him as the first secretary once again.

Norma Bengell拍一17世纪的古装爱情悲剧片，原著是巴西小说家阿尔卡特。

Guests are invited to the studio to have conversations with Andrey Malakhov, where they talk about their personal and professional successes, as well as anything else that interests them. Through these open discussions on air, viewers get a complete impression of the guest's life and their perspective on various issues.

Adaptation of a work by a Russian revolutionary writer, about an opponent of the Czarist regime.

Biography of cinematographer Andrey Nikolaevich Moskvin.

Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".

The film “Andrey Konchalovsky’s Cinema Odyssey” is a tribute to the creative path of one of our outstanding contemporaries, Andrey Konchalovsky, spanning from his debut film, “The Boy and the Dove”, which was immediately invited to the Venice International Film Festival, to the present day. The documentary features notable figures who starred in the master’s films, from Sergei Shakurov to Tom Holtz, from Inna Churikova to Irina Kupchenko. Dividing his work into ‘periods’ — classical, American, and the perestroika era — Konchalovsky, with the help of the cinema, embarks on a cinematic journey akin to Odysseus, ultimately returning to his own ‘Penelope’: Moscow.

About the creation of the film "Andrei Rublev", about its deep philosophical and artistic meaning, the figure of Andrei Rublev himself and about the influence of the great iconographer on the work of Andrei Tarkovsky.